Up to 3 October
Galerie des Voûtes du Port
19, Quai Meyer
17200 Royan
Starting in the eighties of the last century, Vincent Bioulès has focused on painting the human figure time and again, notably in this series of Portraits of the orthodox members of the Supports-Surfaces movement, dating from 1990, oils on canvas of large dimensions.
Voûtes du Port Gallery
This is no return to tradition, the nonchalance of the attitudes adopted by some, the feet up on the garden table of others or the superior attitude struck by others again leave a glimpse of a certain amount of cleavage. The group that emerged in the seventies already dissolved in 1973, each member going his own way, paying no attention at all to dogmas.
The way he treats his images with their flatness and clearly surrounded outlines makes this series of works resolutely modern, in line with the research of a Matisse, of an Hélion or of the Pop Artists, yet nonetheless with a degree of classical tradition.
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Starting in the eighties of the last century, Vincent Bioulès has focused on painting the human figure



